forum remaja indonesia

Stop Dreaming Start Action

2009-06-22T17:33:00.000+07:00

Stop Dreaming Start Action adalah merupakan salah satu motivasi untuk orang yang hanya mengandalkan mimpi semata, Dreaming alias mimpi tidak akan terwujud tanpa Action, sebaliknya Action alias aksi tidak akan terwujud tanpa mimpi, kedua kata ini saling berhubungan dan tidak boleh terpisah, jadi sekarang berhentilah untuk bermimpi saja dan mulai aksi Stop Dreaming Start Action.

jika kita lihat dari kata-katanya Stop Dreaming Start Action artinya berhenti bermimpi mulai aksi, ini memang kurang sepadan bila kita realisasikan dalam kehidupan, tapi Stop Dreaming Start Action mempunyai arti yang luas bukan seperti diatas melaikan berhenti hanya bermimpi dan mulai aksi, ini baru cocok.

seorang blogger harus mempunyai motto ini jika ingin benar-benar sukses, memang bisnis online di internet itu selalu diawali dengan impian, tapi bukan berarti kita harus terus menerus bermimpi, jika tiba saatnya kita harus melakukan action untuk mewujudkan impian ini dalam kehidupan nyata.

bagaimana cara action seorang blogger? seorang blogger dapat melakukan action untuk menggapai impiannya dengan semakin memperdulikan blognya, belajar ilmu seo, belajar ilmu marketing, dan terutama sekali harus rajin dalam update blog, saat ini persaingan di search engine sudah semakin ketat tanpa action yang baik kita tidak akan meraih posisi yang baik di search engine, jadi mulai sekarang berhentilah hanya bermimpi dan mulailah aksi Stop Dreaming Start Action.

sebenarnya saya juga belum pernah belajar ilmu seo atau ilmu marketing, selama ini saya hanya mengorek-ngorek sedikit dari search engine google, jadi sampai sekarang ilmu seo saya masih sangat minim, bisa dikatakan 5% saja belum cukup. mungkin selama ini saya juga hanya dreaming, mudah-mudahan kelak saya akan Start Action dengan mulai belajar, mulai peduli lagi dengan blog saya yang tidak seberapa ini, kasian blog saya yang satu ini sudah capek-capek membuatnya masa tidak menang-menang kontes hehe.

review blog bisnis online

2009-06-11T19:19:00.001+07:00

maininternetonline.blogspot.com adalah salah satu blog yang membahas tentang maininternetonline.blogspot.com di dunia maya ini, maininternetonline.blogspot.com sama halnya dengan blog yang lain blog ini sebenarnya tidak hanya terfokus pada bisnis online saja akan tetapi banyak berita hangat serta tips-tips menarik yang di postingkan pada maininternetonline.blogspot.com ini.

makalah merupakan hal kedua yang paling banyak di bahas dalam blog bisnis yang satu ini, banyak makalah makalah penting disana seperti makalah islam, makalah manajemen, makalah bisnis, makalah ekonomi, makalah komputer, serta berbagai ilmu-ilmu penting.

saya juga merasa heran entah kenapa blog bisnis online ini memakai title main internet online, perpaduan antara bahasa indonesia dan bahasa inggris, tapi setelah saya pikir-pikir mungkin maksut penulis bisnis online ini adalah supaya orang dari mana saja bisa masuk dengan menggunakan keyword yang sama tersebut.

blog main internet online ini belum begitu lama umurnya sekitar lima bulan saat artikel ini ditulis tapi pengunjung sudah sangat membludak, mungkin lantaran tema yang di bahas di sana memang banyak di cari orang serta di imbangi dengan teknik seonya yang sangat sempurna.

oke langsung saja jika kamu penasaran dengan pembahasan blog bisnis online yang satu ini silahkan kamu lihat sendiri beberapa judul artikelnya di bawah ini, kamu bisa juga langsung mengklik jika ingin mengetahui bagaimana maininternetonline.blogspot.com itu dan sekalian mencari informasi yang kamu butuhkan disana. ini dia beberapa judul postingan terbarunya:

tukang nggame

2009-05-20T09:13:00.005+07:00

OVERVIEW INFORMATION:

A. Federal Agency Name. Department of Housing and Urban Development, Office of Public and Indian Housing.

B. Funding Opportunity Title. HOPE VI Main tukang nggame.

C. Announcement Type. Initial announcement.

D. Funding Opportunity Number. The Federal Register number for this NOFA is: FR 5059-N-01. The Office of Management and Budget (OMB) paperwork approval number for this program is 2577-0208.

E. Catalog of Federal Domestic Assistance (CFDA) Number. The CFDA number for this NOFA is 14-866, “Demolition and Revitalization of Severely Distressed Affordable Housing (HOPE VI).”

F. Dates.

1. Application Submission Date. The application deadline date is July 11, 2006. Applications must be received and validated Grants.gov by 11:59:59 p.m. on the application deadline date. See the General Section for application submission and timely receipt requirements.
2. Estimated Grant Award Date. The estimated award date will be September 15, 2006.

G. Electronic Application Submission. Applications for this NOFA must be submitted electronically through http://www.grants.gov. The applicant must be fully registered completing the five step registration process for new applicants or if you have previously submitted an application for assistance with Grants.gov, ensuring that the registration in the Central Contractor Registry is updated.

See HUD’s Federal Register Notice published on December 9, 2005 entitled “Notice of Opportunity to Register Early for Electronic Submission of Grant and HUD’s registration brochure entitled “Step By Step: Your Guide to Registering for Grant Opportunities, Information for Applicants and Grantees.

Submission validation by grants.gov may take 24-48 hours so when submitting your application please take these time frames into account. HUD recommends early submission so that if your application is rejected you will have to make the correction and resubmit prior to the deadline date. See “Other Submission Requirements,” Section IV.F. of this NOFA and the General Section, and http://www.grants.gov/GetStarted.

FULL TEXT OF ANNOUNCEMENT

I. Funding Opportunity Description

A. Available Funds. This NOFA announces the availability of approximately $2.5 million in Fiscal Year (FY) 2005 funds and approximately $2.5 million in FY 2006 funds.

B. Purpose of the Program. The purpose of the HOPE VI Main tukang nggame program is to provide grants to small communities to assist in the rehabilitation and new construction of affordable housing in conjunction with an existing program to revitalize an historic or traditional central business district or “Main tukang nggame.” The objectives of the program are to:

1. Redevelop Main tukang nggame;
2. Preserve historic or traditional architecture or design features in Main tukang nggame;
3. Enhance economic development efforts in Main tukang nggame; and
4. Provide affordable housing in Main tukang nggame.

C. Statutory Authority.
1. The program authority for the HOPE VI Main tukang nggame program is Section 24 of the United States Housing Act of 1937 (42 U.S.C. 1437v), as amended by Section 535 of the Quality Housing and Work Responsibility Act of 1998 (Pub. L. 105-276, 112 Stat. 2461, approved October 21, 1998), as amended, and the HOPE VI Program Reauthorization and Small Community Main tukang nggame Rejuvenation and Housing Act of 2003 (Pub. L. 108-186, 117 Stat. 2685, approved December 16, 2003).
2. The funding authority for the HOPE VI Main tukang nggame program is provided by the Consolidated Appropriations Act, 2005 (Pub. L 108-447, approved December 8, 2005), under Title II, Public and Indian Housing, Revitalization of Severely Distressed Public Housing (Hope VI), and the Transportation, Treasury, Housing and Urban Development, the Judiciary, the District of Columbia, and Independent Agencies Appropriations Act, 2006 (Pub. L. 109-115, approved November 30, 2005), under Revitalization of Severely Distressed Public Housing (HOPE VI).

3. The HOPE VI Program Reauthorization and Small Community Main tukang nggame Rejuvenation and Housing Act of 2003 states that, of the amount appropriated for the overall HOPE VI program for any fiscal year, the Secretary shall provide up to five percent for use only for the Main tukang nggame initiative. The statute amended Section 24(n) of the Act, which now provides for grants to smaller communities, to provide assistance to carry out eligible affordable housing activities.

D. Definition of Terms
1. Affordable Housing means rental or homeownership dwelling units that:

a. Are made available for initial occupancy to low-income families, with a subset of units made available to very low- and extremely low-income families; and

b. Are subject to the same rules regarding occupant contribution toward rent or purchase, and terms of rental or purchase, as are public housing units in a HOPE VI development. Public housing rights and responsibilities vary among HOPE VI developments. HOPE VI public housing units use various mechanisms to set the resident portion of rent, resident job training or employment requirements, resident rights of return, and other occupancy issues.

2. Applicant Team (“Team”) means the group of entities that will develop the Project. The Team includes the unit of local government that submits the application and, where applicable, the procured developer, the procured property manager, architects (including architects who are knowledgeable about universal design and Section 504 accessible design requirements), construction contractors, attorneys, investment partners that comprise an owner entity, and other parties that may be involved in the development and management of the Project.

3. Community and Supportive Services (“CSS”) means services to residents of the Project that may include, but are not limited to:

a. Homeownership counseling that is scheduled to begin promptly after grant award so that, to the maximum extent possible, qualified resident will be ready to purchase new homeownership units when they are completed;

b. Educational, life skills, job readiness and retention, employment training, and other activities as described on HUD’s HOPE VI website at http://www.hud.gov/offices/pih/programs/ph/hope6/css/; and

c. Coordinating with fair housing groups to educate the Main tukang nggame Affordable Housing Project’s targeted population on its fair housing rights.

4. Firmly Committed means that the amount of Match or Leverage resources, and their dedication to HOPE VI Main tukang nggame activities must be explicit, in writing, and signed by a person authorized to make the commitment.

5. General Section means the Notice of HUD’s Fiscal Year 2006 Notice of Funding Availability Policy Requirements and General Section to the SuperNOFA for HUD’s Discretionary Programs; Notice, Docket No. FR- FR-5030-N-01, published in the Federal Register on January 20, 2006.

6. Homeownership Unit means a housing unit that the Local Government makes available through a grant from this NOFA for purchase by low-income families for use as their principal residence;

7. Initial Occupancy Period means the period of time that a rental unit is occupied by the initial low-income resident or the period of time that a homeownership unit is owned by the initial third-party, low-income purchaser. There is no set requirement for the length of this occupancy period.

8. Jurisdiction means the physical area under the supervision of the Local Government.

9. Leverage means non-HOPE VI funded donations of cash and in-kind services that are firmly committed to the development of the Main tukang nggame Affordable Housing Project (called Main tukang nggame Affordable Housing Project Leverage) or to the Main tukang nggame Area as a whole (called Main tukang nggame Area Leverage)

a. Leverage may include funds/in-kind services that are already expended, received but not expended, and firmly committed but not yet received.

b. Types of resources that may be counted include:
(1) Private mortgage-secured loans, Insured loans, and other debt;
(2) Housing trust funds;
(3) Net sales proceeds from a homeownership project that exceed the amount of HOPE VI funds used to develop the homeownership unit;
(4) Tax Increment Financing (TIF);
(5) Proceeds from Low-Income Housing Tax Credits (LIHTC), Historic Preservation Tax Credits, and Tax Exempt Bonds;
(6) Land Sale Proceeds. The value of land sale proceeds may be included as leverage only if this value is a sales proceed. Absent a sales transaction, the value of land will not be counted;
(7) Other Federal Funds. Other federal sources may include non-public housing funds provided by HUD;
(8) In-Kind Services, including donations of:

(a) Property such as land (donations of land may be counted as leverage only if the donating entity owns the land to be donated), materials, supplies, a building, a lease on a building, and other infrastructure;

(b) Services such as Homeownership Counseling, other CSS and FSS resources (see “Definitions,” Section I.D. of this NOFA for the definition of CSS), and time and services contributed by volunteers.

c. Leverage does NOT include, and HUD will not count:
(1) Staff time of either the Local Government applicant or the recognized developer entity; and
(2) Wages projected to be paid to resident through jobs that are provided by CSS partners.

10. Local Government means any city, county/parish, town, township, parish, village, or other general purpose political subdivision of a state; Guam, the Northern Mariana Islands, the Virgin Islands, American Samoa, the District of Columbia and the Trust Territory of the Pacific Islands, or a general purpose political subdivision thereof; a combination of such political subdivisions that is recognized by the Secretary.

11. Low-Income means a family (resident) with an income equal to or less than 80 percent of median income for the local area, adjusted for family size, in accordance with Section 3(b)(2) of the United States Housing Act of 1937, as amended. HUD may establish a level higher or lower than 80 percent because of prevailing construction costs or unusually high or low family incomes in the area. HUD prescribed income limits are stated at fhttp://www.huduser.org/datasets/il/IL05/Section8_IncomeLimits_2005.doc. Local area is defined as the non-metropolitan county/parish or Primary Metropolitan Statistical Area/Metropolitan Statistical Area (PMSA/MSA) or county/parish, as prescribed by HUD, in which the low-income family resides.

12. Main tukang nggame Area means an area designated by the applicant, that:

a. Is within the jurisdiction of the applicant;
b. Has specific boundaries;
c. Is or was;

(1) Traditionally the central business district and center for socio-economic interaction;
(2) Characterized by a cohesive core of historic and/or older commercial and mixed-use buildings, often interspersed with civic, religious, and residential buildings, which represent the community’s architectural heritage;
(3) Typically arranged along a main tukang nggame with intersecting side tukang nggame and public space; and
(4) Pedestrian-oriented.

13. Main tukang nggame Affordable Housing Project (“Project”) is defined in “Program Requirements,” Section III.C. of this NOFA.

14. Main tukang nggame Rejuvenation Master Plan (“Main tukang nggame Plan”) is a document, or group of documents, that serves to guide the rejuvenation of a Main tukang nggame Area. It may be a formal, detailed declaration of intent, or an informal collection of records from various City, Chamber of Commerce, Main tukang nggame organization meetings, and portions of the applicant’s city-wide Master Plan, that describes and demonstrates the Main tukang nggame rejuvenation effort’s components, such as:

a. Design, promotion, and economic impact;
b. Broad community support;
c. Investment by both the public and private sectors;
d. Long-term planning and commitment by a local organization;
e. Active administration and implementation by the applicant, or by a locally recognized Main tukang nggame rejuvenation organization; and
f. Strong preservation element for historic or traditional architecture.
g. Main tukang nggame Plan documentation must comply with the minimum requirements stated in “Program Requirements,” Section III.C. of this NOFA.

15. Match is cash or in-kind donations that:

a. Total at least five percent of the requested HOPE VI Main tukang nggame grant amount; and
b. Are from government or private-sector sources other than HOPE VI funding, including Community Development Block Grant Funds, which by statute are considered local money.

16. Owner entity is the legal entity that holds title to the real property that contains any affordable housing units developed through this NOFA.

17. Person with disabilities means a person who:
a. Has a condition defined as a disability in Section 223 of the Social Security Act;
b. Has a developmental disability as defined in Section 102 of the Developmental Disabilities Assistance Bill of Rights Act; or
c. Is determined to have a physical, mental, or emotional impairment which:
(1) Is expected to be of long-continued and indefinite duration;
(2) Substantially impedes his or her ability to live independently; and
(3) Is of such a nature that such ability could be improved by more suitable housing conditions.
d. The term "person with disabilities" may include persons who have acquired immunodeficiency syndrome (AIDS) or any conditions arising from the etiologic agent for AIDS. In addition, no individual shall be considered a person with disabilities, for purposes of eligibility for low income housing, based solely on any drug or alcohol dependence.
e. The definition provided above for persons with disabilities is the proper definition for determining program qualifications. However, the definition of a person with disabilities contained in Section 504 of the Rehabilitation Act of 1973 and its implementing regulations must be used for purposes of reasonable accommodations.

18. Program means the HOPE VI Main tukang nggame Program.

19. Recognized Developer means the Local Government applicant or a legal entity that has an agreement with the Local Government applicant to seek financing for, rehabilitate and/or construct housing units, and to provide Community and Supportive Services (if required), for a HOPE VI Main tukang nggame grantee.
a. For a non-complex development, the applicant may choose not to use a developer, and instead directly procure a design/build construction contractor and accountant.

20. Site Control means the Local Government applicant, or its developer, has the legal authority to commit the owner of the property to the rehabilitation to be performed with HOPE VI Main tukang nggame grant funds. Some examples of site control are:
a. The local government owns the property outright;
b. The private owner of the property and the applicant have signed a developer agreement and the private owner is the developer;
c. The government- or private-owner has signed a developer agreement with a separate developer and the agreement gives the developer control;
d. The applicant or developer has an option to purchase the property that covers a time period sufficient to obtain grant funds for purchase (at least 180 days after award), and is contingent only upon: 1) receipt of a grant from this NOFA; and 2) satisfactory compliance with this NOFA’s environmental review requirements;
e. An owner-entity partnership was formed between the original owner and the applicant or the developer (or both) and possibly a third-party investor (Tax
Credits) and the developer is the General Partner; etc.

21. Unit of Local Government: See “Local Government” under this section.

22. Very Low-Income Family means a family (resident) with an income equal to or less than 50 percent of median income for the local area, adjusted for family size, in accordance with Section 3(b)(2) of the United States Housing Act of 1937, as amended. HUD may establish a level higher or lower than 50 percent because of prevailing construction costs or unusually high or low family incomes in the area. HUD prescribed income limits are stated at http://www.huduser.org/datasets/il/IL05/Section8_IncomeLimits_2005.doc. Local area is defined as the PMSA/MSA or nonmetropolitan county/parish, as prescribed by HUD, in which the low-income family resident.

tukang nggame

2009-05-18T01:15:00.001+07:00

tukang nggame site is one of the blogs that follow the seo contest tukang nggame, this blog only contains articles about the contest and several of them discuss about the game, make this blog in about a week since the writing of this article, I write this blog not because you want to get gift from mr. yudis but want to try my technique seo whether it is correct or not, but when mr.yudis want to give gifts this blog if you win in the contest tukang nggame me very grateful.

first arose intention to make this blog I get the information after a friend's blog at this time that the blogger indonesia and international was at a contest with the keyword tukang nggame, if you want to know a blog that provides information to see me in maininternetonline.blogspot.com, you can read the information there, after I read the information I go directly to the contest site to read more information.

after I read the news clearly I make this blog and also to eventually succeed at this time, hopefully this blog can get a good position on google.com or google.co.uk google.co.id not, after successfully make the next step I have to do is promote this blog to many search engines are also some blog site directory, I have here may be a little challenging because I am still newbie a few days until the new index in search engines, if the blogger buddy who knows how to have the campaign contact me super fast, or can also comment directly on this blog.

few days after my campaign to add three-page article, I think a lot of articles with this blog can reach a good position in google search engine and blogs can win this contest tukang nggame, but because this blog is still new expectations may not have to win, but the important business, does not quickly give up and persist.

tukang nggame this blog title and description is Ngegame make Tukang Nggame Site Take Seo contest while playing game, I any word tukang nggame search engine that's easy to find this blog and put on the main page and a blog with the top ranking keyword tukang nggame.

that prior information about this blog can provide a nice benefit for online game players in the global internet, local and international TUKANG NGGAME.
tutorial

ideologi sastra remaja

2008-03-21T18:25:00.003+07:00

Apa yang tengah diperbincangkan banyak kalangan dunia sastra belakangan ini? Tak lain, menonjolnya penjualan karya-karya sastra remaja. Atau yang lebih sering disebut dengan chicklit atau teenlit. Kenapa? Karena, karya sastra yang ditulis oleh (dan untuk) remaja tersebut, melampaui penjualan karya sastra yang lain. Penjualan karya sastra remaja tersebut jauh di atas sastrawan yang terkenal sekalipun. Sungguh, hal yang sangat membanggakan, tentunya.
Analoginya, banyak penulis remaja bisa dikatakan sebagai sastrawan. Penyebutan ini sudah tentu akan menganggu eksistensi para sastrawan atau pemikir sastra yang telah mapan sebelumnya. Lantaran, ternyata mudah mengantongi predikat sastrawan. Sekalipun itu, hanya untuk ukuran karya sastra remaja. Perjalanan yang serbasingkat, namun membuahkan hasil yang menakjubkan. Ini, faktanya.
Jalan panjang menuju Roma! Seorang Sapardi Djoko Damono, yang sastrawan itu memang mengisahkan, karier bersastranya cukup panjang, untuk menjadi seorang yang akhirnya terkenal dalam 25 tahun belakangan ini. Sapardi kecil memang akrab dengan beragam buku bacaan sejak masa kecilnya. Tak heran, jika saat SMU naskahnya sudah dimuat di majalah Horison, yang kala itu diasuh oleh Sutan Takdir Alisyahbana. Ketika mampu menulis di usianya yang belia, tak banyak orang langsung mengenalnya. Ia butuh waktu lebih panjang lagi. Ia masuk Jurusan Sastra UGM, lantas di situ ia baru menemukan komunitas bersastranya bersama Rendra, Darmanto Yatman, ataupun Bakdi Sumanto. Dunia teater dan sastra, itu yang akhirnya membesarkan namanya.
Sebuah perjalanan yang panjang. Mungkin itu tak berlaku bagi para penulis remaja pada saat ini. Terlalu melelahkan, untuk menjadi seorang yang akhirnya dikenal: menjadi sastrawan. Jika saat ini penulis remaja, lantas mengantongi predikat sastrawan begitu cepat, apa sebenarnya yang bisa didampakkan ? Ini bukan persoalan yang sederhana untuk bisa dikupas. Bisa dibayangkan, bertahun-tahun sastrawan muda harus ”berjuang” yang akhirnya mengantongi predikat sastrawan. Namun, penulis remaja saat ini, begitu cepat bisa bergelimang popularitas.

”Gue Banget!”
Karya teenlit, atau chicklit memang menandai babak baru dunia sastra Tanah Air. Karya-karya ini lebih merujuk pada sebuah dunia, yang memang identik dengan kehidupan remaja. Di Amerika, sastra teenlit ataupun chicklit ini, dikenal pula dengan istilah chick fic. Yang artinya, merujuk pada sebuah karya yang memang diperuntukkan oleh kaum gadis. Sedangkan satu yang menonjol dari karya-karya chicklit ini adalah bentuk karya sastra yang menghibur, mampu menawarkan relaksasi, mengandungi unsur kelucuan dan segar.
Banyak kalangan masih belum sepakat, siapa sebenarnya yang mengawali, mempopulerkan karya teenlit ataupun chicklit. Konon, ada yang menyebut bahwa Jostein Gaarner-lah yang mengibarkannya. Yakni, lewat karyanya yang berjudul Sophie’s World. Namun, sebagian meyakini bahwa JK Rowling-lah yang lebih dominan berkarya lewat Harry Potter-nya. Sementara, versi Amerika mengungkapkan bahwa karya Bridget Jones’s Diary karya Helen Fielding, yang justru mengawalinya. Memang belum terdapat kesepakatan yang mendasar soal siapa yang mendahului. Tapi kita lihat, bahwa dari karya-karya tersebut memang terdapat perbedaan.
Dunia sastra remaja kita memang telah melahirkan beberapa penulis belia. Tercatat sejumlah nama yang memang menonjol secara karya dan mampu meraup penjualan yang sangat tidak masuk akal untuk penjualan buku sastra remaja. Dan mengingatkan kita pada sukses yang pernah diraih oleh Hilman Hadiwijaya dengan Lupus, ataupun Gola Gong era 1980-an. Karya sastra remaja yang menonjol pada saat ini, misalnya Area X karya Elisa Handayani, Novita Nastiti dengan karya Subjek:Re, Rachmania Arunita dengan Eifel I’M In Love, dan yang lain.
Lantas, di tengah begitu suksesnya karya-karya teenlit – chicklit kita dihadapkan pada beberapa justifikasi, yang secara samar bisa mengungkapkan ideologi-ideologi dari karya sastra remaja tersebut.
Pertama, remaja (pembaca belia) adalah segmen buku yang cukup potensial. Mereka adalah sekelompok pasar, yang selama ini tidak digarap secara serius oleh dunia penerbitan. Selama ini, untuk karya sastra, lebih menitikberatkan pada sosok penulis yang ternama, telah mapan atau bahkan selebriti sekalipun akan dibayar untuk membuat buku jika mereka mampu.
Kedua, tema yang diangkat dalam chicklit adalah wilayah yang selama ini termarjinalkan dalam karya sastra. Dunia dengan tema sederhana, sehari-hari, menjadi unik bila justru dituturkan oleh mereka yang terlibat di dalamnya. Mayoritas karya remaja tersebut mengungkapkan kehidupan dunia mereka, hubungan laki-laki–perempuan yang ditafsir dengan tingkatan umur mereka. Dunia sekolah, cinta, remaja dalam kehidupan keluarga, hubungan pertemanan yang berhubungan dunia remaja mereka kupas. Bahkan yang menarik adalah impian mereka tentang satu dunia yang ideal, yang bisa dibangun menurut mereka.
Ketiga, peran dunia penerbitan sangat penting bagi popularitas karya remaja tersebut. Terungkap, bahwa pada saat ini begitu banyak penerbitan buku yang siap menerbitkan naskah apa pun. Dengan modal mampu mencetak 1.000 eksemplar buku, maka Anda sudah bisa disebut sebagai penerbit. Tidak sulit memang. Peran penerbit inilah yang sangat dominan dalam mendongkrak jumlah penjualan buku karya remaja. Promosi yang gencar, sistem marketing yang mapan menjadi salah satu faktor, kenapa popularitas penulis remaja ini begitu cepat terdongkrak.
Segmen pembaca remaja, memang butuh media. Media yang memang mampu mengakomodasikan kebutuhan dan mengangkat sebuah dunia yang tengah mereka alami. Jangan heran, jika karya-karya remaja tersebut begitu spontan dan ekspresif. Terkadang, kita juga menemukan serangkaian kejujuran, yang memang tak pernah bisa ditulis oleh seorang sastrawan yang ternama sekalipun.
Keberagaman
Peta dunia sastra memang acapkali ditengarai oleh karya-karya yang serius, dan meneror. Barangkali, banyak sastrawan mapan dan ternama akan merasa kaget dengan prestasi yang telah penulis remaja. Angka penjualan yang menakjubkan, popularitas di usia belia, sudah mereka dapat. Sementara, acapkali terungkap pengalaman bahwa untuk ukuran sastrawan ternama dan produktif sekalipun teramat sulit untuk bisa masuk ke penerbitan. Karya mereka, sering ditolak, oleh banyak penerbit. Yang paling ironis, popularitas (dan ekonomi)nya juga turun naik.
Sederet karya remaja, memang telah menggoda untuk dikonsumsi. Sejumlah karya remaja, yang bertutur tentang dunia mereka justru tengah menjadi idola dunia penerbitan. Alasannya adalah, hanya kalangan penulis remaja, yang saat ini mampu memberikan keuntungan yang serba cepat bagi dunia penerbitan. Ini alasannya.
Hadirnya karya sastra remaja, sudah tentu menawarkan warna lain dalam dunia sastra. Dunia remaja, memang layak untuk dipresentasikan, dipublikasikan. Namun, biarlah mereka sendiri yang mengucapkannya. ***

sumber : http://www.sinarharapan.co.id/hiburan/budaya/2005/0226/bud2.html

kotak link belanja

2008-02-04T14:43:00.002+07:00

Music BACKGROUND Front Page

2008-02-04T14:43:00.001+07:00

Feel free to choose our ready-to-use music background codes. You can use these codes for websites, blogs, Friendster, Myspace, etc.
50 Cent - Candy Shop 50 Cent - Outta Control 50 Cent - Window Shopper Arash - Bombay Dreams Arash - Boro Boro Arash - Tike Tike Kardi Axel F - Crazy Frog Black Eyed Peas - Don't Phunk With My Heart Black Eyed Peas - My Humps Daddy Yankee - Gasolina Daddy Yankee - Loquepaso Dance Mix Eminem - Toy Soldiers Evanescence - Going Under Gwen Stefani - Hollaback Girl Gwen Stefani - Rich Girl Gwen Stefani - What You Waiting For Hoobastank - The Reason Jennifer Lopez - Let's Get Loud Limp Bizkit - Behind Blue Eyes Linkin Park - Breaking The Habbit Linkin Park - Numb Madonna - Hang Up Metallica - Enter The Sandman Metallica - Unforgiven Mission Impossible Nirvana - About A Girl No Doubt - It's My Life Prodigy - Breathe Prodigy - No Good Prodigy - Smack My Bitch Up Tatu - All About Us Tatu - Sacrifice Scooter - Jigga Jigga Scooter - The Logical Song Sean Paul - We Burnin'Shakira - Hips Don't Lie Shakira - La Tortura Ario Lasso - Mengejar Matahari Glenn - Januari Padi - Begitu Indah Padi - HitamWe are still preparing to add many new codes.

clix sense

2008-02-04T14:42:00.000+07:00

Bergabung di Clix Sense adalah gratis. Login dan klik tombol “browse Ads”. Setiap iklan yang anda klik dan terbuka selama 30 detik, anda akan dibayar. Aktifitas browsing anda akan dibayar bulanan dengan check. Daftar gratis Clix Sense sekarang, disini.

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music

2008-02-04T14:40:00.000+07:00

Free MySpace Layouts MySpace Codes

Single Hits
Acha ft Irwansyah -Ada CintaAcha ft Irwansyah - Kenapa MaluAda Band - Akal SehatAda band - Semenit WaktuAda Band - Belahan JiwaAda Band - Lari Dari KenyataanAda Band - Kau Dan DirinyaAda Band - Nyawa HidupkuAndhika Pratama - BebasAndhika Pratama - Nyanyian SenjaAndhika Pratama - TersenyumlahAndien - GemintangAndra & The BackBone - SempurnaBunga - Kasih Jangan Kau Pergi (requested by Nurwahidin)Cokelat - Saat Jarak MemisahkanDave Koz ft.Ada Band - Manusia BodohDewi Dewi - Roman PicisanDewi Sandra - I Love YouDrive - Bersama Bintang (requested by Mar & Teo)d'cinnamons - Kuyakin CintaElfonda - Anggun (requested by Shine On)Gigi - 11 Januari (requested by Pras)Gita Gutawa - Bukan Permainan (right click + save as)Gita Gutawa - Kembang Perawan (right click + save as)Jikustik - Puisi (right click + save as)J-Rock - Kau Curi Lagi (Requested by Amin)Kaimsasikun - Pria Dijajah WanitaKD - I'm Sorry GoodbyeMaliq n D'Essentials-HeavenMatta - Ketahuan (requested by U Di)Melly Guslaw - Gantung (right click + save as)Melly Goeslaw - Racun TidurMocca - The Best ThingMonita Idol - Kekasih SejatiMulan Kwok - Aku Cinta Kau dan Dia (OST Pasangan Heboh)Numata - Curahan Hati (requested by Panjoel)Once - Aku MauPinkan Mambo - KasmaranSHE - Slow Down BabySherina - Sendiri (right click + save as)Tahta - Tempat Yang Paling Indah (right click + save as)The Fly - Mencintaimu Ungu - Kekasih Gelapku (Requested by Manyoen)Ungu - Tiada Yang Seperti DirikuUtopia - Baby DollBonus :Tukul Arwana - Pecinta WanitaTukul Arwana - Wong NdesoFor prev requests, click here.

Music Links:
Weekly Top 10 MP3 Collection Free Lyrics Music Background Free Album Download Free Music Video MP3 Freakz Jo Juan It's About Music

---dont---

2008-02-02T16:51:00.000+07:00

i dont want 2 fall 2 pieces
i just want 2 sit n stare at u
i dont want 2 talk about it
i just want 2 cry in front of u
i dont need a conversation
i just want 2 see u

IF OnLy

2008-02-02T16:24:00.001+07:00

If I could see through your eyes,
I would know what you like to see,
If I knew your wishes,
I could give you everything you want.
If I dreamed the same dreams you do,
Together we could make them come true.
If I knew what makes you happy,
I could make you the happiest person in the world.
But mostly, if I were a cell in your blood,
I would certainly be somewhere in your heart